{"id":9369,"date":"2019-10-24T13:33:15","date_gmt":"2019-10-24T13:33:15","guid":{"rendered":"https:\/\/dms.aegean.gr\/%cf%87%cf%89%cf%81%ce%af%cf%82-%ce%ba%ce%b1%cf%84%ce%b7%ce%b3%ce%bf%cf%81%ce%af%ce%b1-en\/%ce%bd%ce%b5%ce%ba%cf%84%ce%ac%cf%81%ce%b9%ce%bf%cf%82-%ce%b6%ce%ac%cf%81%cf%81%ce%b1%cf%82\/"},"modified":"2021-04-06T06:53:13","modified_gmt":"2021-04-06T06:53:13","slug":"nektarios-zarras","status":"publish","type":"post","link":"https:\/\/dms.aegean.gr\/en\/specialized-research-teaching-staff\/nektarios-zarras\/","title":{"rendered":"Nektarios Zarras"},"content":{"rendered":"

Address: <\/b>University of the Aegean,<\/span> Department of Mediterranean Studies (1 Democratias Ave., 1, GR, 851 32, Rhodes).<\/span><\/p>\n

Phone: 22410-99319\u00a0<\/span><\/p>\n

Email: <\/span>za****<\/span>@****<\/span>an.gr<\/span> <\/span><\/a>\u00a0<\/span><\/p>\n

Position: <\/b>\u0395DIP, in Byzantine Art and Archaeology, University of the Aegean (Rhodes). Department of Mediterranean Studies.<\/span><\/p>\n

Current Position: <\/b>Senior Research Fellow, University of M\u00fcnster, 2016-2018.<\/span><\/p>\n

Research Interests:<\/b> Archaeology and Art of the Late Antiquity, Mosaic Pavements in Greece and in Eastern Mediterranean; Byzantine Painting of the Middle and Late Period, Epigraphy, Monumental Painting in Balkan Peninsula and in Cyprus.<\/span><\/p>\n

 <\/p>\n

EDUCATION<\/b><\/h3>\n

2006:\u00a0<\/strong> Phd Kapodistrian University, Department of Archaeology & History of Art, Philosophical Faculty, Title: \u201cThe Iconographic cycle of the Eothina Gospel Lections in Palaiologan Monumental Painting in the Balkan Peninsula\u201d, Grade:<\/span> Distinction<\/span><\/p>\n

1997-2001:<\/strong>\u00a0 <\/span>BA, Kapodistrian University of Athens, Philosophical Faculty, Department of Archaeology & History of Art.<\/span><\/p>\n

1996-1997:<\/strong> MA, Kapodistrian University of Athens, Theological Faculty, Department of Theology, Dissertation title: \u201cThe Appearance of Christ to Mary Magdalene after his Resurrection\u201d, Grade: Distinction\u00a0<\/span><\/p>\n

1994-1995:\u00a0<\/strong> \u00a0I attended a series of lectures on Byzantine Art, offered by Prof. \u0397. <\/span>\u0392uschhausen (Early Christian Art and Archaeology) and Prof. J. <\/span>Prolovi\u0107 (Architecture and Monumental Painting in Serbia 13<\/span>th <\/span>\u2013 15<\/span>th<\/span> c.), Institut f\u00fcr Byzantinistik und Neogr\u00e4zistik, University of Vienna. I <\/span>was invited by Prof. H. \u0392uschhausen to present in the Department of\u00a0<\/span>Postgraduate Studies of the Institute my Master Thesis that I completed<\/span>\u00a0during my residence in Vienna.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

1987-1992:<\/strong>\u00a0BA, Kapodistrian University of Athens, Theological Faculty, Department of Theology.<\/span><\/p>\n

EMLOYMENT- TEACHING<\/b><\/h3>\n

2017- Assistant Professor<\/strong><\/p>\n

University of Aegean (Rhodes), Faculty of Humanities, Department of Mediterranean Studies\u00a0<\/span><\/p>\n

Teaching Courses: See below<\/span><\/p>\n

2008-2014 \u00a0Lecturer\u00a0<\/strong><\/p>\n

University of Aegean (Rhodes), Faculty of Humanities, Department of Mediterranean Studies\u00a0<\/span><\/p>\n

Taught Courses:\u00a0<\/strong><\/p>\n

    \n
  1. Art and Archaeology of Early Byzantine Period: Architecture, Painting and Sculpture\u00a0\u00a0<\/span><\/li>\n
  2. Art and Archaeology of Middle Byzantine Period: Architecture, Painting.<\/span><\/li>\n
  3. Art and Archaeology of Late Byzantine Period: Architecture, Painting<\/span><\/li>\n
  4. Early Christian Archaeology in Eastern Mediterranean: Early Christian Basilicas in Dodecanese and in Asia Minor.<\/span><\/li>\n
  5. Byzantine History<\/span><\/li>\n<\/ol>\n

    Post-Graduate Seminars:\u00a0<\/strong><\/p>\n

      \n
    1. Early Christian Topography of Rhodes (fall 2009); Excavations in Dodecanese during the 20<\/span>th<\/span> century (fall 2010), Art and Archaeology in Late Antiquity: Early Christian Basilicas of Rhodes (fall 2011); Mosaic Pavements from Eastern Mediterranean (fall 2012).<\/span><\/li>\n
    2. Art and Society in the Palaeologan Period: The famous Painters Michael Astrapas and Eutychios in the Balkan Peninsula (spring 2009, spring 2010); Art and Artists in Eastern Mediterranean during the 14<\/span>th<\/span> century: The Examples of Mystras, Crete and Cyprus (spring 2011, spring 2012).\u00a0<\/span><\/li>\n<\/ol>\n

      2006-2010\u00a0Lecturer\u00a0\u00a0<\/strong><\/p>\n

        \n
      1. Arcadia Center for Hellenic, Mediterranean & Balkan Studies and Research, Athens<\/span><\/li>\n
      2. Taught Course: \u201cThe Power of Images: Art and Ideology in Byzantium\u201d<\/span><\/li>\n<\/ol>\n

        2006 – 2010 Lecturer\u00a0<\/strong><\/p>\n

        University of Patras, Department of Philology\u00a0<\/span><\/p>\n

        Taught Courses:\u00a0<\/strong><\/p>\n

          \n
        1. Byzantine History<\/span><\/li>\n
        2. Introduction in Byzantine Archaeology and Art\u00a0\u00a0<\/span><\/li>\n<\/ol>\n

          EXCAVATIONS<\/b><\/h3>\n

          7\/ 2011 &7\/2012<\/strong>
          \nUniversity of the Aegean<\/b>
          \n<\/b>Rhodes, Kymisala, Ancient Necropolis (Prof. M.\u00a0\u00a0\u00a0\u00a0<\/span>
          \nStefanakis & Dr. Nektarios Zarras)<\/span><\/p>\n

          7-8\/ 2000, 7\/2001 & 7-8\/2002 <\/strong>
          \nMember of the University excavation team<\/b>
          \nAndros, Palaiopoli, Early Christian Basilica (Prof. N. Gioles – Prof. L. Palaiokrassa)<\/span><\/p>\n

          8\/2001 <\/strong>
          \nMember of the University Excavation Team<\/b>
          \nKos, Kardamaina, Early Christian settlements (Prof. S. Kalopissi)<\/span><\/p>\n

          12\/1996 – 5\/1997 <\/strong>
          \nMember of the University excavation team<\/b>
          \nAthens, Akropolis area (Makriyianni) (Prof. N. Gioles & L. Palaiokrassa)<\/span><\/p>\n

          7-8\/1995 & 7-8\/1996<\/strong>
          \nMember of the University excavation team<\/b>
          \nAndros, Kato \u039aastro (Prof. E. Dori).<\/span><\/p>\n

           <\/p>\n

          HONORS AND FELLOWSHIPS<\/b><\/h3>\n

          2016-2018<\/strong> Alexander von Humboldt Senior Research Fellow<\/span><\/p>\n

          2013<\/strong> Summer Fellow in Byzantines Studies, Dumbarton Oaks, Harvard\u00a0 \u00a0 University<\/span><\/p>\n

          2013<\/strong> Prize in Memory of Maria Theochari awarded by the Christian Archaeological Society (Athens) for the book: <\/span>The Iconographic Cycle of the Eothina Gospel Lections in Palaiologan Monumental Painting in the Balkan Peninsula<\/span><\/i>.\u00a0<\/span><\/p>\n

           <\/p>\n

          RECENT CONFERENCE PAPERS<\/b><\/h3>\n

          By invitation<\/i><\/b><\/p>\n

            \n
          1. Narrating the Sacred Story: New Testament Cycles in Byzantine Church Decoration, <\/span>The New Testament in Byzantium<\/span>: <\/span>Dumbarton Oaks Spring Symposium 2013<\/span> (26-28 April), Washington D.C.\u00a0<\/span><\/i><\/li>\n
          2. Artistic Centers and Periphery in the Byzantine World Before the Fall of Constantinople: Monumental Painting in Peloponnesus during the first half of the 15<\/span>th<\/span> Century, \u03c3\u03c4\u03bf <\/span>International Symposium: Before and After the Fall of Constantinople<\/span>, Belgrade 2012.<\/span><\/i><\/li>\n
          3. Mosaic pavements from the Chatzjiandreou Basilica in Rhodes, in: <\/span>Symposium, Archaeology and Art during Late Antiquity in Dodecanese<\/span><\/i>, Abstracts, Rhodes 2011, 15.<\/span><\/li>\n
          4. The Wall-Paintings of the 14th c. in the Church of the Holy Cross at Pelendri Cyprus, in: IV International Cyprological Congress<\/i>, Abstracts, Nicosia 2008, 104-106.<\/li>\n
          5. \u0391. Spanos \u2013 N. Zarras, Representations of Emperors and Royals as Saints in Byzantine Textual and Visual Sources, Integration and Disintegration in Medieval Europe. International Spring School<\/i>, March 31 – April 2, 2008 Schwerte, Germany.<\/li>\n
          6. The Preparation of Codex in the Iconography of the Evangelists in Palaiologan Painting, in: International Symposium<\/i>, The Book in Byzantium: Byzantine and Post-Byzantine Bookbinding<\/i>, Athens 13-16 October 2005.<\/li>\n
          7. \u03a4he Iconographical Cycle of the Eothina Evangelia in Churches from the Reign of King Milutin, International Scientific Forum, Banjska Monastery and King Milutin Era<\/i>, Banjska \u2013 Kosovska Mitrovica 22-25 September 2005.<\/li>\n<\/ol>\n

             <\/p>\n

            PUBLICATIONS<\/b><\/h3>\n

            Books:\u00a0<\/b><\/h4>\n

            In progress:\u00a0<\/strong><\/p>\n

            Painting and Ideology in the 14<\/span><\/i>th<\/span><\/i>-Century Mystras: The Iconographic Program of the Gallery in the Virgin Hodegetria<\/span><\/i>.<\/span><\/p>\n

            Dedicatory Inscriptions and Donor Portraits of Middle Byzantine Macedonia, <\/span><\/i>University of M\u00fcnster<\/span><\/p>\n

            Published:<\/strong><\/p>\n

            2014<\/span> N. Zarras – M. Stefanakis (eds.), <\/span>Archaeology and Art during Late Antiquity in Dodecanese<\/span><\/i>, <\/span>Proceedings of the Symposium in the Memory of Elias Kollias<\/span><\/i>, <\/span>Eulimene Series<\/span><\/i>, 2, (Publication of the Mediterranean Archaeological Society), Rethymnon 2014.<\/span><\/p>\n

            2011<\/span> The Iconographic Cycle of the Eothina Gospel Lections in Palaiologan Monumental Painting of the Balkan Peninsula<\/span><\/i> [Byzantina Keimena kai Meletai 56], Aristotele University of Thessaloniki, Thessaloniki 2011.<\/span><\/p>\n

            2010<\/span> The Church of the Holy Cross at Pelendri<\/span><\/i>, Lefkosia 2010.<\/span><\/p>\n

            Book Chapters<\/b><\/h4>\n

            In progress:\u00a0<\/strong><\/p>\n

            2016<\/span> Narrating the Sacred Story: New Testament Cycles in the Middle and Late Byzantine Church Decoration, in R. S. Nelson – D. Krueger (eds.), <\/span>The New Testament in Byzantium<\/span><\/i>: <\/span>Dumbarton Oaks Center<\/span><\/i> Symposia and Colloquia<\/span><\/i>, <\/span>\u00a0<\/span><\/i>\u00a0Washington D.C., 239-275.<\/span><\/p>\n

            2016<\/span> \u201cIdentity and Patronage in Byzantium: Epigraphic Evidence and Donor <\/span>Portraits of Naxos\u201d, \u03c3\u03c4\u03bf Chr. Stavrakos (ed.), Inscriptions in Byzantine and\u00a0 <\/span>Post-Byzantine History and History of Art, <\/span>Proceedings of the International <\/span><\/i>Symposium Inscriptions: Their Contribution to the Byzantine and Post-<\/span><\/i>Byzantine History and History of Art (Ioannina, June 26-27, 2015)<\/span><\/i>, <\/span>Wiesbaden 2016, 53-78.<\/span><\/p>\n

            2015\u00a0 An artistic ekphrasis gem: Nikolaos Mesarites\u2019s description of the mosaics in the Church of the Saint Apostles in Constantinople, in: A. Simpson (ed.), <\/span>Byzantium, 1180-1204: The Sad Quarter of a Century<\/span><\/i>, Athens 2015 (in preparation).\u00a0<\/span><\/p>\n

            2015\u00a0 The Ancient Kymissala of Rhodes in Early Christian Period: Topography and Findings, in <\/span>The Archaeological Work in the Aegean Islands<\/span><\/i>, Rhodes 2015(in preparation).<\/span><\/p>\n

            2015\u00a0 The Wall-Paintings of the central aisle of the Church of the Holy Cross at Pelendri, Cyprus. The Painters and their Work, <\/span>Proceedings of the IV International Cyprological Congress,<\/span><\/i> Abstracts, Nicosia 2014 [in preparation].<\/span><\/p>\n

            2015\u00a0 Artistic Centers and Periphery in the Byzantine World before the Fall of Constantinople: Monumental Painting in Peloponnesus during the first half of the 15<\/span>th<\/span> Century, in: V. Stankovi\u0107 (ed.), <\/span>Before and After the Fall of Constantinople<\/span><\/i>, Belgrade 2014 (in press).\u00a0<\/span><\/p>\n

            Published:<\/strong><\/p>\n

            2014<\/span> Mosaic pavements from the Chatziandreou Basilica in Rhodes, in: N. Zarras \u2013 M. Stefanakis (eds.), <\/span>Proceedings of the<\/span><\/i> Symposium, Archaeology and Art during Late Antiquity in Dodecanese<\/span><\/i> Dedicated to the Memory of Elias Kollias<\/span><\/i>, <\/span>Eulimene Series<\/span><\/i>, 2 (Publication of the Mediterranean Archaeological Society), Rethymnon 2014, 81-104.\u00a0<\/span><\/p>\n

            2014<\/span> The Painter Leontios the Deakon: A contribution to the work of a 14<\/span>th<\/span>-century Cypriot painter, in: <\/span>Volume in honor of Professor and Academician Panayotis L. Vocotopoulos<\/span><\/i>, I, Athens 2014, 107-115.<\/span><\/p>\n

            2012<\/span> Reflections of Palaiologan Style in Cypriot Monumental Painting, in <\/span>\u03a3\u03a5\u039c\u039c\u0395\u0399\u039a\u03a4\u0391.<\/span><\/i> Papers dedicated to 40<\/span><\/i>th<\/span><\/i> Anniversary of the Institute for the Art History, Faculty of Philosophy, University of Belgrade<\/span><\/i>, Belgrade 2012, 291-308.\u00a0\u00a0<\/span><\/p>\n

            2010<\/span> (in collaboration with \u0391. Spanos)<\/span> Representations of Emperors as Saints in Byzantine Visual and Textual Sources, in \u039c. \u0392orgolte \u2013 B. Sneidm\u00fcller (eds.), <\/span>Hybrid Cultures in Medieval Europe. Papers and Workshops of an International Spring School<\/span><\/i>, (Europa im Mittelalter, Abhandlungen und Beitr\u00e4ge zur historischen Komparatistik 15), Berlin, Akademie Verlag 2010, 63-78.<\/span><\/p>\n

             <\/p>\n

            PERIODICAL ARTICLES\u00a0<\/b><\/h3>\n

            2013<\/span> The Palaiologan Icon of Christ in glory with the Apostles in the Museum of\u00a0<\/span>\u00a0the Greek Institute in Venise, <\/span>DChAE<\/span><\/i> 34 (2013) [In Memoriam T.\u00a0<\/span>Papamastorakis] 239-252.<\/span><\/p>\n

            2010<\/span> The Passion Cycle in Staro Nagori\u010dino, <\/span>J\u00d6B<\/span><\/i> 60 (2010), 181-213.<\/span><\/p>\n

            2010<\/span> Inscriptions from the Church of St George in Staro Nagori\u010dino, <\/span>DChAE<\/span><\/i> 4\/31 (2010) 115-124.\u00a0<\/span><\/p>\n

            2009<\/span> The Preparation of Codex in the Iconography of the Evangelists in Palaiologan Painting, <\/span>\u0392yzantina<\/span><\/i> 30 (2009) [In Memoriam G. Lavvas], 511-528.<\/span><\/p>\n

            2007<\/span> Christ <\/span>en etera morfi<\/span><\/i> (in another form), <\/span>DChAE<\/span><\/i> 28 (2007) [In Memoriam P. M. Mylonas], 213-224.<\/span><\/p>\n

            2006\/7<\/span> \u03a4he Iconographical Cycle of the Eothina Evangelia in Churches from the \u00a0 Reign of King Milutin, <\/span>\u0396ograf<\/span><\/i> 31 (2006-2007) [In Memoriam \u0399. M. Djordjevi\u0107], 95-113.<\/span><\/p>\n

            2006<\/span> Judas\u2019 Suicide by Hanging in Byzantine Art, <\/span>\u0391rchaeologia <\/span><\/i>99, June 2006, 30-36.<\/span><\/p>\n

            2003<\/span> \u039aato Kastro. The first phase of the excavations in the Venetian Castle of the Chora of Andros, <\/span>\u0391ndriaka Chronika<\/span><\/i> 34 (2003), entries 65-69, 70, 113-115, 116-121, 139-141, 159-164.<\/span><\/p>\n

            2000\/1<\/span> La tradition de la pr\u00e9sence de la Vierge dans les sc\u00e8nes du \u201cLithos\u201d\u00a0 et du \u201cChairete\u201d et son influence sur l\u2019iconographie tardobyzantine, <\/span>Zograf<\/span><\/i> 28 (2000-2001), 113-120.\u00a0<\/span><\/p>\n

             <\/p>\n

            GRADUATE-LEVEL STUDY, Director<\/b><\/h3>\n

            Completed\u00a0:<\/strong><\/p>\n

            James Whittle, Text and Image in the Greek Alexander Romance, cod. Marc. 408 (Skidmore College, New York, 2009\/10, Byzantine Literature and Philosophy).<\/span><\/p>\n

             <\/p>\n

            MA THESIS, Commitee Member<\/b><\/h3>\n

            Completed\u00a0:<\/strong><\/p>\n

            James Whittle, Comparison and Contrast of Eastern and Western Christian Civilizations, 325 -1669, through an Examination of two Contemporary Fourteenth Century Representations in the Mariological Cycle, \u0391rena Chapel in Padua – Kariye Camii in Constantinople (Skidmore College, New York, 2010).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

            Address: University of the Aegean, Department of Mediterranean Studies (1 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-9369","post","type-post","status-publish","format-standard","hentry","category-specialized-research-teaching-staff"],"yoast_head":"\nNektarios Zarras - \u03a4\u03bc\u03ae\u03bc\u03b1 \u039c\u03b5\u03c3\u03bf\u03b3\u03b5\u03b9\u03b1\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd<\/title>\n<meta name=\"description\" content=\"Address: University of the Aegean, Department of Mediterranean Studies (1 Democratias Ave., 1, GR, 851 32, Rhodes). 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